Refreshing
Elements are unique combinations of quality materials and handcrafted
creative inspiration! Using fine materials does increase the price of
our jewelry, but the added durability and lasting beauty is well worth
it. Most of our pieces are one of a kind, with some limited edition
pieces. We offer wholesale quantities of a select number of pieces each
season. You can assume your piece is a one of a kind original design
unless we note otherwise in the description. You will find a variety of
types and styles in our work, in categories such as: earrings,
bracelets, necklaces, pendants, anklets, hair sticks, lanyards, mother
and grandmother jewelry, pins and rings. Pieces are created of fine
materials such as: sterling silver, niobium wire, kiln annealed artisan
lampwork glass (crafted by ourselves and others), crystals and
semiprecious gemstones. Our products, just like people, are always
evolving and changing, so check back often for our new additions!
GENERAL
JEWELRY CARE
Caring
for your Refreshing Elements is relatively simple, see the categories
about specific materials in your pieces for detail. In general, storing
your pieces in an airtight container, such as the plastic bag provided
with your purchase will help minimize oxidization/tarnishing and keep
them protected from dust and safe from abrasion. Just don't forget to
wear and enjoy them!
GLASS
There are many ways to create glass beads and pendants for jewelry use.
Glass beads were first recorded in 2500BC. Use light soap and cloth as
needed to keep them clean.
LAMPWORK GLASS ~ These artisan beads are
handcrafted one at a time by melting rods of glass in a flame and
winding it around a steel rod. They are works of art, and you can
expect variations in designs. This quality displays their uniqueness
and artistry. They are called lampwork beads, because in the beginning,
beadmakers used a candle lamp to melt the glass. This process is about
like pouring molasses onto a stick and continually spinning the stick in
the flame until it is a round shape. There is constant movement,
measurement of the heat and attention to the color of the glass so as
not to lose the shape or burn the minerals used to color it. These
beads can be quite expensive, as it can take from two minutes to hours
to create each one depending on the intricacy of the designs. Only
glass that has the same coefficient of expansion can be used together,
otherwise they will cool at different rates and condense causing stress
and cracking in the bead. Another cost factor is the color of the
glass used. Some glass, such as fuschia/ruby red is colored using more
expensive minerals such as gold. Thus the same bead made in different
color combinations can vary greatly in price. Beads can also
incorporate actual silver or gold foil into them, and enamel powders and
other additions besides just the stick of glass we started with.
We handcraft our own lampwork beads and work with a few other
artisans across the United States who have different styles and/or
talents from us. All of the lampwork beads we use that are handmade by
U.S. artisans are kiln annealed (held at a constant temperature to heat
all parts evenly then slowly cooled) for strength so they should not
crack. Ours are crafted of a soft or soda lime glass, such as Moretti
imported from glass makers in Italy.
VINTAGE GLASS ~ These beads can come from many sources.
The most common are from Japan, West Germany, Austria and
Czechoslovakia. These beads can be actual beads rescued from lost
corners of defunct factories and businesses and never sold before, or
they can be crafted from glass made in those factories in vintage eras.
Some colors of glass are very complicated, if not impossible to
determine, recreate and match the mineral composition. It is also the
case that some colors and styles are too expensive to produce on a mass
production scale for today’s market. Some old colors are thus very rare
and valuable.
DICHROIC GLASS ~ Artisan dichroic glass offers
iridescence and vibrant colors similar to that of a fire opal. Dichroic
means two colors, and the name comes from the fact that it can transmit
one (let through) and reflect another. It is a fused glass created by
layers of many microscopically thin metallic oxides such as titanium,
silicon and magnesium. Different colors result from varying the
thickness and placement of the layers. Layers are applied in extremely
expensive machines where an electron beam is used in a very low pressure
environment to vaporize the oxides and deposit them onto glass
suspended above. This process is called thin film physics. When dichroic
glass is viewed at differing angles, the reflection of the light goes
through these separate layers, so you will see differing colors.
Dichroic glass was developed for the space industry and has been used in
the medical, laser, scientific measuring and photographic fields as
well.
CRYSTALS
We use
genuine Swarovski® (Austrian) and Celestial® (Oriental) crystals.
Swarovski® glass beads are machine cut and ground using a process
created by Swarovski in 1895. This process and the addition of lead,
creates brilliant sparkles similar to diamonds when light bounces off
the internal surfaces of the glass. These beads are fully leaded
(about 32% lead and lead oxide) for brilliance, so please do not
purchase crystal pieces for small children.
CANE OR
FURNACE GLASS ~ This handmade artisan glass can be made
in a furnace or over a flame. It is created by layering molten glass
rods on top of glass until the pattern you desire is achieved. Then the
whole mass is heated and stretched to make it thinner and smaller. The
glass is then cut into slices with a diamond saw. The edges of the cut
can be heated or polished to make them as smooth or rounded as desired.
CZECH GLASS ~ These glass beads have been made by
Czech (or Bohemian) peoples since about 250BC. They are formed by
melting glass into a mold and pressing it. Hence the term “pressed
glass”. Many “seed” or small glass beads come from this area and are an
important part of their economy.
METALS
We choose precious metals for our pieces because of their
durability, strength, and long lasting beauty. In silver, we do not use
plastic or plated metals (which rub off over time, and many have
allergies to the “base” metal of nickel). We also do not use pewter,
which is primarily tin, or any other low temperature dull white metal.
Some of these metals are highly allergenic, and some pewter contains
lead, whether in the solder or the actual pewter. We do occasionally
craft pieces of gold filled, but not gold plated. Gold filled contains
much more gold on top of a base metal and as such, has a much less
likely chance of rubbing off.
NIOBIUM ~ 99.9% Niobium is a naturally
occurring element from the periodic table. Niobium is extremely
hypoallergenic, unlike common color coated copper wires or nickel. It
is more rare and precious than gold, and commonly used in the
electronics and space industries. You probably already own some in your
cell phone or computer. Niobium is electrically oxidized to create
brilliant colors that are long lasting, as long as the oxidation is not
rubbed off from harsh abrasives (polishing). The colors are created by
the reflection off the layer of thickness of oxidation. Titanium
compares to niobium as copper compares to silver in value. Niobium
dulled from dust and oils can be brought back to vibrance with a gentle
non- abrasive soap and dried with a soft cloth. The color is very
durable, so long as the oxidization is not scratched off by abrasives.
SILVER ~ We regularly use 925 Silver (92.5%
pure silver mixed with 7.5% copper) beads and wire in our pieces.
Sterling silver oxidizes naturally when exposed to air. This can
naturally enhance many designs as it adds depth to the metal. If you
desire a more polished shiny look, an occasional polishing may be
necessary. We offer a polishing cloth, or you can rub with baking soda
and a soft cloth. If you do choose to use silver cleaner, make sure to
keep it away from any other materials in the work, especially soft
stones such as turquoise, lapis lazuli, coral and untreated stones.
Our PMC pieces are made from 99.9% fine silver.
KAREN HILL TRIBE OR THAI SILVER ~ This silver is from
Thailand, each bead is handmade by native tribes using methods in use
from the first centuries AD. The bead is formed over tree resin by
wrapping strips of silver around the form. Many of the designs have
cultural significance. Then they are stamped and engraved with designs
by hand. The beads are actually made of fine silver, with a silver
content of 99.9%.
BALI INDONESIAN SILVER ~ These sterling silver
beads are handmade from strips, dots and wire of silver. A circle shape
is cut out of a strip of flat silver. It is rounded with a hammer to
form half of a bead. Using a sticky substance from plant seeds, balls
and silver wire are stuck onto the bead, then the two sides and design
are soldered on and together. They are oxidized and finally polished to
form the finished bead.
TURKISH SILVER ~ These sterling silver beads are
handcrafted much the same as Bali beads are. They have a different feel
and design to them, and can be more intricate and cleaner in design.
INDIAN SILVER ~ These beads are individually handmade
similar to Bali beads, although usually less intricate in design.
ISRAELI SILVER ~ These beads are often hollow formed
created by two different wax methods, either cast with the lost wax
method or electroformed and built up on silver.
SEMI-PRECIOUS
GEMSTONES
We
love gemstones and use them in lots of our pieces. There is so much
material available about these beautiful pieces of the earth, we
couldn't hope to present it all in this space. We hope to offer more
information about specific gem properties in the future. For our pieces
we do always try to obtain the most awesomely natural and untreated
hand-picked gemstones that we can find.
OTHER
MATERIALS
We
always keep in mind the durability and quality of the materials we
choose. We use 49 strand professional flexible nylon coated stainless
steel wire on strung pieces. They are finished with sterling silver
crimp beads and findings. We use high fired ceramic beads from Greece
which are colorful and smooth, similar to porcelain, and very strong. We
also occasionally use wood, marcasite, terra cotta, enamel and other
materials that catch our fancy. We are always open to new quality
materials for variety and to enhance color, texture and shape.